Research Handbook on the Future of EU Copyright

Research Handbooks in Intellectual Property series

由埃斯特尔编辑Derclaye,副教授d Reader in Intellectual Property Law, University of Nottingham, UK

It has been over fifteen years since the EU started harmonising copyright law. This original Handbook takes stock and questions what the future of EU copyright should be. What went wrong with the harmonisation acquis? What did the directives do well? Should copyright be further harmonised? Each of the 25 recognised copyright experts from different European countries gives a critical account of the EU harmonisation carried out on several aspects of copyright law (subject-matter, originality, duration, rights, defences etc.), and asks whether further harmonisation is desirable or not. This way, the Handbook not only gives guidance to European institutions as to what remains to be done or needs to be remedied but is also the first overall picture of current and future EU copyright law.

‘The Research Handbook on the Future of EU Copyright provides an excellent resource for policymakers and researchers alike. It may also be of great benefit to post-graduate students who could easily use it as a step by step accompaniment to university courses on copyright.’
– Tobias Bednarz, Script-ed

‘. . . an important contribution to the study of EU copyright law. It provides a good overview of different aspects of copyright law in the European Union and comprises a prevailing guide which undoubtedly will be of great use to both academics and practitioners.’
– Ghufran Sukkaryeh, European Intellectual Property Review

‘Estelle Derclaye’s book is indeed a Handbook on EU copyright law, since practically every aspect of copyright law is examined through the lens of EU law by foremost European specialists. But it goes further than providing an understanding of what has been and ought to be happening in EU copyright law: each chapter can touch a raw nerve in the copyright law of any country in the world. Rarely has it been so obvious that EU copyright law can be considered a laboratory for copyright law in general.’
– Ysolde Gendreau, Université de Montréal, Canada